Center for Writing Staff
The Center’s success depends on the talent and commitment of our Writing Fellows and Writing Associates. Our staff is diverse in terms of backgrounds, areas of expertise, and teaching styles, and they are all excellent and committed teachers.
Kit Nicholls (firstname.lastname@example.org) received a Ph.D. in English at New York University and a B.A. in creative writing at the University of Michigan, Ann Arbor. He is the author of Syllabus: The Remarkable, Unremarkable Document That Changes Everything, co-authored with William Germano (Princeton University Press, 2020). His essays have appeared in venues such as European Romantic Review, The Chronicle of Higher Education, and Psyche.
John Lundberg (email@example.com) is a former Wallace Stegner Fellow in poetry at Stanford University who holds a BA in English from The College of William and Mary, an MA in English from FSU, and an MFA in creative writing from The University of Virginia. He has extensive experience teaching composition, creative writing, and business writing.
Coordinator of the Writing Fellows Program and Major Awards Advisor
Pam Newton (firstname.lastname@example.org) has a Master’s degree in English from the Bread Loaf School of English at Middlebury College. She currently teaches writing in the Humanities program at Cooper Union and in the English department at Yale. Pam also writes for magazines as an art/culture journalist and essayist. She has written for publications including The New York Times Magazine, Entertainment Weekly, American Theatre, National Book Review, Killing the Buddha, and the Huffington Post, as well as being a theatre critic for Time Out New York and a book critic for O the Oprah Magazine. She wrote one of the monologues in Nora Ephron’s play, Love, Loss, and What I Wore.
Writing Associates and Fellows
Alexis Almeida (email@example.com) is a poet, essayist, and translator. She is the author of I Have Never Been Able to Sing (Ugly Duckling Presse, 2018), and most recently the translator of Dalia Rosetti's Dreams and Nightmares (Les Figues, 2018), and Single Mother (Spork, 2019). She earned her MFA from the University of Colorado, and recently lived in Argentina on a Fulbright fellowship, where she was compiling and translating an anthology of contemporary poets. She currently teaches writing at the Bard microcollege at the Brooklyn Public Library.
Mirene Arsanios (firstname.lastname@example.org) holds an MA in Contemporary Art Theory from Goldsmiths College, and an MFA in Writing from the Milton Avery Graduate School for the Arts at Bard College. She has contributed essays and short stories to e-flux journal, Vida, The Brooklyn Rail, and The Rumpus, among others. She is the founding editor of Makhzin, an online English/ Arabic bilingual magazine for innovative writing. Mirene has taught creative writing at the American University of Beirut and currently teaches at Pratt Institute. On Friday nights you can find her at the Poetry Project where she coordinates the Friday Night reading series with Rachel Valinsky.
Julia Bosson (email@example.com) received her B.A. in English and Creative Writing and M.F.A. in Creative Nonfiction from Columbia University. Her writing has been featured in publications such as BOMB, VICE, Guernica, and the Believer Logger, among others, and she has taught writing at Columbia University and Baruch College. She currently resides in Berlin, Germany, where she was a 2019 - 2020 Fulbright Scholar and is working on a book on the life and journalism of the writer Joseph Roth.
Anne Brink (firstname.lastname@example.org) earned her BA in English and Creative Writing from Barnard College, and her MFA in Poetry from Columbia University. She is currently completing her MDiv in Buddhism and Interreligious Engagement at Union Theological Seminary, where she studies the relationship between social ethics, poetry, and embodied practices.
William Camponovo (email@example.com) earned his BA in Writing Seminars at Johns Hopkins University and his MFA in poetry at the University of Washington and has also studied creative writing pedagogy at Antioch University – Los Angeles. His work has appeared in The Seattle Review, The Los Angeles Review, Best New Poets 2011, Iron Horse Literary Review, and online at Poetry Northwest. Currently in the PhD program at the CUNY Graduate Center, William spends most of his time writing about the poets Adrienne Rich, Harryette Mullen, and Alice Notley, a fact about which he could not be happier.
Stephen Higa (firstname.lastname@example.org) earned a Ph.D. in history from Brown University and a BA in history from UC Berkeley. He studies medieval religion and has taught courses in history, religion, theology, gender, sexuality, music, and performance. He currently teaches high school world history and is a performer of medieval music.
Yu-Yun Hsieh (email@example.com) holds a Ph.D. in Comparative Literature from the Graduate Center, CUNY. Currently an adjunct assistant professor at Cooper Union and Baruch College, she has taught at Hunter College. Her research interests include transnational American studies, comparative literature, film studies, adaptation and translation. Her work has appeared in Times Literary Supplement, The New York Times Book Review, World Literature Today, among others. Her Chinese translation of Thomas Pynchon’s The Crying of Lot 49 was published in 2014. She is a former fiction fellow of the Writers’ Institute at The Graduate Center.
Marie Hubbard (firstname.lastname@example.org) is a Ph.D. candidate in English and Comparative Literature at Columbia University, and holds a B.A. from Stanford University and an M.A. and M.Phil. from Columbia University. She studies and writes about the history of anglophone literature in British colonial settings, as well as U.S. involvement in Third World literary production during the Cold War. She has several years’ experience as a writing instructor and consultant at the high school and undergraduate level. In addition to her role as a writing associate at Cooper Union, Marie is currently an instructor of first-year academic writing in the General Studies program at Columbia University.
Olivia Koski (email@example.com) is the author of Vacation Guide to the Solar System and former Head of Operations at Guerilla Science. She was previously a senior producer at the Atavist Magazine, where she produced 30 interactive journalism stories, five of which were nominated for a National Magazine Award and one an Emmy. She has a master’s in journalism from NYU, and her writing has appeared in Wired, Popular Mechanics, and Scientific American.
Christine Malvasi (firstname.lastname@example.org) earned her B.A. from Princeton University and her M.F.A. in Creative Writing from New York University. She has participated in writing residencies and fellowships throughout the United States and Italy. Her work explores interdisciplinary approaches to poetry writing and performance.
Kate McIntyre (email@example.com) is currently completing a Ph.D. in English and Comparative Literature at Columbia University, where she writes about poetic strategies of resistance to colonization, slavery, and the plantation. She previously earned a BA in Comparative Literature and Philosophy from the University of Chicago, and she also spends a great deal of time thinking about queer theory, labor unions, community organizing, prison abolition and compost.
Alice Jones-Nelson (firstname.lastname@example.org) earned the Ph.D. in History and the M. S. in Journalism at the University of Illinois. With college teaching experience in global, African, and U. S. histories and in writing across the disciplines, she mentors information literacy enthusiasts in community settings as well. To foster student creativity, critical thinking, goal setting, problem solving, and empowerment through effective communication, the Stanford Publishing Course alum also draws upon extensive background in editing and collaborating with artists for book, magazine, and digital media corporations.
Liza St. James (liza.StJames@cooper.edu) earned her BA in comparative literature and literary theory from the University of Pennsylvania and her MFA in fiction and literary translation from Columbia University, where she was a teaching fellow in the Undergraduate Writing Program. Her writing has appeared in Tin House, The Collagist, BOMB, The Believer, The Paris Review Daily, and other publications. She is editor-at-large for Transit Books and a senior editor of the literary annual NOON.
Kent Szlauderbach (email@example.com) writes fiction, essays, and screenplays that have been featured or are forthcoming in BOMB, The Brooklyn Rail, Vimeo Staff Picks, and other online venues. In 2014, he also served as editor-in-chief and publisher of Civilian—a civics, art, and literature journal designed as a critical map of Midwestern art and journalism practices. He now teaches writing and visual media at Hunter College and Queens College, and holds an MFA from Columbia University, where in 2016 he was awarded a teaching fellowship with the Undergraduate Writing Program.
Stella Tan-Torres (firstname.lastname@example.org) earned her BA in Anthropology and English Literature from Brown University, and her MA in Humanities and Social Thought from New York University. She worked for several years in Student Services and Admissions at NYU and Columbia University. Her primary focus was on international student communities and career counseling, having trained at NYU’s Wasserman Center for Career Development. With over a decade of editing experience, Stella has taught students at all levels of higher education and professional backgrounds to improve their writing and communication skills and has provided career counseling for people across a diverse range of industries.
Augusta X. Thomson (email@example.com) earned her BA in Archaeology and Anthropology from Oxford University. She is currently a PhD student and Teaching Fellow in Anthropology at New York University, where her research meanders between mobility studies, ecology, theories of place and space, memory, digital media, visual culture, video ethnography, personhood, material culture, art, religion, and pilgrimage. Trained in NYU’s Graduate Certificate Program in Culture and Media, Augusta makes (often) abstract and experimental films that reflect on the natural world. She is the director and DP of Nine-Story Mountain, a feature film about the pilgrimage around Mount Kailash; the director, DP, and editor of flotsam, a short film about Brooklyn’s Dead Horse Bay; and is currently working on Crossings, a multi-media, interactive documentary and mapping project, inspired by the Camino de Santiago, her ethnographic field site.
Neena Verma (firstname.lastname@example.org) is an architect, teacher, and theorist. Her office pursues small-scale, forward-thinking projects. Neena's current research and writing focus on the intersection of architectural practice with society; she aims to challenge norms of perception and beauty. Neena has published in Architectural Research Quarterly and is currently working on a book about immigrants finding place. Her collaborative design work has been exhibited at the Venice Biennale. A former attorney, she has experience in complex civil litigation and real estate transactional law.
Buck Wanner (email@example.com) studies Dance History and completed his PhD in Theatre and Performance at Columbia University. He performs, choreographs, and writes about contemporary experimental dance, and has previously edited Movement Research Performance Journal, Culturebot, and the American Realness catalog READING.